The Arabian Nights Entertainments, Opening, part 34, sentence 89
Looking from a lattice which opened into the court, I saw her in the act of passing through the street door, which she carefully left open.
Who acts: I, lattice, act, Amina · What happens: look, open, see, pass, leave · To what, where: court, Amina, act, street door
This is a sentence of «The Arabian Nights Entertainments» by Andrew Lang, Opening, part 34. The page gives its syntax tree — a dependency tree in the style of Universal Dependencies — and its pragmatics clause by clause: who acts (I, lattice, act, Amina), what happens, when and where, as Mova's frames read it from the tree.
Parsed by Mova, not checked by a teacher. This tree is Mova's own parse (the en model, on the CPU, when the site is built); it may be wrong.
The tree
The words, one row each (CoNLL-U)
| # | word | lemma | UPOS | features | head | relation |
|---|---|---|---|---|---|---|
| 1 | Looking | look | VERB | Tense=Pres VerbForm=Part | 12 saw | advcl |
| 2 | from | from | ADP | _ | 4 lattice | case |
| 3 | a | a | DET | Definite=Ind PronType=Art | 4 lattice | det |
| 4 | lattice | lattice | NOUN | Number=Sing | 1 Looking | obl |
| 5 | which | which | PRON | PronType=Rel | 6 opened | nsubj |
| 6 | opened | open | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 4 lattice | acl:relcl |
| 7 | into | into | ADP | _ | 9 court | case |
| 8 | the | the | DET | Definite=Def PronType=Art | 9 court | det |
| 9 | court | court | NOUN | Number=Sing | 6 opened | obl |
| 10 | , | , | PUNCT | _ | 1 Looking | punct |
| 11 | I | I | PRON | Case=Nom Number=Sing Person=1 PronType=Prs | 12 saw | nsubj |
| 12 | saw | see | VERB | Mood=Ind Number=Sing Person=1 Tense=Past VerbForm=Fin | root | root |
| 13 | her | she | PRON | Case=Acc Gender=Fem Number=Sing Person=3 PronType=Prs | 12 saw | obj |
| 14 | in | in | ADP | _ | 16 act | case |
| 15 | the | the | DET | Definite=Def PronType=Art | 16 act | det |
| 16 | act | act | NOUN | Number=Sing | 12 saw | obl |
| 17 | of | of | SCONJ | _ | 18 passing | mark |
| 18 | passing | pass | VERB | VerbForm=Ger | 16 act | acl |
| 19 | through | through | ADP | _ | 22 door | case |
| 20 | the | the | DET | Definite=Def PronType=Art | 22 door | det |
| 21 | street | street | NOUN | Number=Sing | 22 door | compound |
| 22 | door | door | NOUN | Number=Sing | 18 passing | obl |
| 23 | , | , | PUNCT | _ | 27 left | punct |
| 24 | which | which | PRON | PronType=Rel | 27 left | obj |
| 25 | she | she | PRON | Case=Nom Gender=Fem Number=Sing Person=3 PronType=Prs | 27 left | nsubj |
| 26 | carefully | carefully | ADV | _ | 27 left | advmod |
| 27 | left | leave | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 22 door | acl:relcl |
| 28 | open | open | ADJ | Degree=Pos | 27 left | xcomp |
| 29 | . | . | PUNCT | _ | 12 saw | punct |
Pragmatics
| # | verb | tense, mood | who | what, whom | to whom | where | when | other | roles by |
|---|---|---|---|---|---|---|---|---|---|
| 1 | look | gerund | I not said here | from a lattice | vn peer-30.3 «NP V PP.theme»: agent=Agent from lattice=Theme | ||||
| 2 | open | past | a lattice | the court | vn crane-40.3.2 «NP V NP PP.recipient»: agent=Agent into court=Recipient | ||||
| 3 | see | past | I | Amina | the act | vn comprehend-87.2-1-1 «NP V NP»: agent=Experiencer she=Stimulus | |||
| 4 | pass | gerund | the act not said here | the street door | vn occur-48.3-1 «NP V PP»: agent=Theme through door=Location | ||||
| 5 | leave | past | Amina | the street door | carefully, open property | vn keep-15.2 «NP V NP»: agent=Agent which=Theme |
One row per clause the reader finds. «not said here»: a role filled from the clause above. «roles by»: a VerbNet class and frame when one fits the verb, else the reader's rules on the tree.
Text: «The Arabian Nights Entertainments» by Andrew Lang, Project Gutenberg book 128 (public domain in the USA). Tree: Mova's own parse, Elamur Cosmic License. Frames: Mova's frames reader (prag), the chapter read in order.
This page in Markdown → https://md.mova.elamur.ai/free/en/corpora/tales/pg128/34/89/