🌲 The foray of Queen Meave, and other legends of Ireland's heroic age, Opening, part 15, sentence 216

Then came, on winds Fresher than earth’s, divinities more high He thought than those that late from elfin meres Amid Murthemné’s woods had dewed his face; And loftier songs were sung; and balmier flowers In holier fountains bathed were softlier pressed On breast and brow; while shone before his eyes Visions more fair than lordliest battle-field, Though what they meant he knew not nor divined-- High-towerèd temples cruciform that rose Far-seen o’er wood and street; and from their gates Vestal procession issuing white, that wound Through precincts low where only dwelt the poor, The halt, the lame, the blind; and song he heard With spiritual pathos changing sense to soul, ‘The end of all is peace.’

Who acts: o’er, elfin, woods, balmier flowers, flowers, temples cruciform · What happens: come, think, mere, dew, sing, bath · To what, where: face, loftier songs, holier fountains, eyes, temples cruciform, seen o’er wood

This is a sentence of «The foray of Queen Meave, and other legends of Ireland's heroic age» by Aubrey De Vere, Opening, part 15. The page gives its syntax tree — a dependency tree in the style of Universal Dependencies — and its pragmatics clause by clause: who acts (o’er, elfin, woods, balmier flowers), what happens, when and where, as Mova's frames read it from the tree.

Mova's own parse. This tree may be wrong.

The tree

Pragmatics

One row per clause the reader finds. «not said here»: a role filled from the clause above. «roles by»: a VerbNet class and frame when one fits the verb, else the reader's rules on the tree.

This page in Markdown → https://md.mova.elamur.ai/free/en/corpora/tales/pg78491/15/216/