In Ghostly Japan, Story of a Tengu[1], sentence 180
But there are sounds that move us much more profoundly than the voice of the sea can do, and in stranger ways,—sounds that also make us serious at times, and very serious,—sounds of music.
Who acts: sounds, voice · What happens: be, move, do, make · To what, where: us, stranger ways, sounds
This is a sentence of «In Ghostly Japan» by Lafcadio Hearn, Story of a Tengu[1]. The page gives its syntax tree — a dependency tree in the style of Universal Dependencies — and its pragmatics clause by clause: who acts (sounds, voice), what happens, when and where, as Mova's frames read it from the tree.
Mova's own parse. This tree may be wrong.
The tree
The words, one row each (CoNLL-U)
| # | word | lemma | UPOS | features | head | relation |
|---|---|---|---|---|---|---|
| 1 | But | but | CCONJ | _ | 3 are | cc |
| 2 | there | there | PRON | PronType=Dem | 3 are | expl |
| 3 | are | be | VERB | Mood=Ind Number=Plur Person=3 Tense=Pres VerbForm=Fin | root | root |
| 4 | sounds | sound | NOUN | Number=Plur | 3 are | nsubj |
| 5 | that | that | PRON | PronType=Rel | 6 move | nsubj |
| 6 | move | move | VERB | Mood=Ind Number=Plur Person=3 Tense=Pres VerbForm=Fin | 4 sounds | acl:relcl |
| 7 | us | we | PRON | Case=Acc Number=Plur Person=1 PronType=Prs | 6 move | obj |
| 8 | much | much | ADV | _ | 9 more | advmod |
| 9 | more | more | ADV | Degree=Cmp | 10 profoundly | advmod |
| 10 | profoundly | profoundly | ADV | _ | 6 move | advmod |
| 11 | than | than | SCONJ | _ | 18 do | mark |
| 12 | the | the | DET | Definite=Def PronType=Art | 13 voice | det |
| 13 | voice | voice | NOUN | Number=Sing | 18 do | nsubj |
| 14 | of | of | ADP | _ | 16 sea | case |
| 15 | the | the | DET | Definite=Def PronType=Art | 16 sea | det |
| 16 | sea | sea | NOUN | Number=Sing | 13 voice | nmod |
| 17 | can | can | AUX | VerbForm=Fin | 18 do | aux |
| 18 | do | do | VERB | VerbForm=Inf | 10 profoundly | advcl |
| 19 | , | , | PUNCT | _ | 23 ways | punct |
| 20 | and | and | CCONJ | _ | 23 ways | cc |
| 21 | in | in | ADP | _ | 23 ways | case |
| 22 | stranger | strange | ADJ | Degree=Cmp | 23 ways | amod |
| 23 | ways | way | NOUN | Number=Plur | 6 move | obl |
| 24 | , | , | PUNCT | _ | 23 ways | punct |
| 25 | — | - | PUNCT | _ | 26 sounds | punct |
| 26 | sounds | sound | NOUN | Number=Plur | 23 ways | conj |
| 27 | that | that | PRON | PronType=Rel | 29 make | obj |
| 28 | also | also | ADV | _ | 29 make | advmod |
| 29 | make | make | VERB | Mood=Ind Number=Plur Person=3 Tense=Pres VerbForm=Fin | 26 sounds | acl:relcl |
| 30 | us | we | PRON | Case=Acc Number=Plur Person=1 PronType=Prs | 29 make | obj |
| 31 | serious | serious | ADJ | Degree=Pos | 29 make | xcomp |
| 32 | at | at | ADP | _ | 33 times | case |
| 33 | times | time | NOUN | Number=Plur | 29 make | obl |
| 34 | , | , | PUNCT | _ | 37 serious | punct |
| 35 | and | and | CCONJ | _ | 37 serious | cc |
| 36 | very | very | ADV | _ | 37 serious | advmod |
| 37 | serious | serious | ADJ | Degree=Pos | 26 sounds | conj |
| 38 | , | , | PUNCT | _ | 40 sounds | punct |
| 39 | — | - | PUNCT | _ | 40 sounds | punct |
| 40 | sounds | sound | NOUN | Number=Plur | 26 sounds | conj |
| 41 | of | of | ADP | _ | 42 music | case |
| 42 | music | music | NOUN | Number=Sing | 40 sounds | nmod |
| 43 | . | . | PUNCT | _ | 3 are | punct |
Pragmatics
| # | verb | tense, mood | who | what, whom | to whom | where | when | other | roles by |
|---|---|---|---|---|---|---|---|---|---|
| 1 | does | present | sounds | there | vn exist-47.1 «NP V»: agent=Theme | ||||
| 2 | move | present | sounds | us | stranger ways and sounds and sounds of music | profoundly property | vn roll-51.3.1 «NP V ADJ.result»: agent=Theme we=Result | ||
| 3 | do | can | the voice of the sea | vn act-114-1 «NP V»: agent=Agent | |||||
| 4 | make | present | sounds and sounds of music | time | us obj; serious property | vn build-26.1-1 «NP.asset V NP NP»: agent=Asset that=Beneficiary we=Product |
One row per clause the reader finds. «not said here»: a role filled from the clause above. «roles by»: a VerbNet class and frame when one fits the verb, else the reader's rules on the tree.
Text: «In Ghostly Japan» by Lafcadio Hearn, Project Gutenberg book 8128 (public domain in the USA). Tree: Mova's own parse, Elamur Cosmic License. Frames: Mova's frames reader (prag), the chapter read in order.
This page in Markdown → https://md.mova.elamur.ai/free/en/corpora/tales/pg8128/27/180/