Early Bardic Literature, Ireland., Early Bardic Literature, Ireland., part 5, sentence 20
Thus released from the curb of history, he gave free rein to the imagination, and in the conventional literary language of sublimity, gave full expression to the feelings that arose within him, as to him, pondering over those ballads, their gigantesque element developed into a greatness and solemnity, and their vagueness and indeterminateness into that misty immensity and weird obscurity which, as constituent factors in a poem, not as back-ground, form one of the elements of the false sublime.
Who acts: MacPherson, feelings · What happens: release, give, arise, ponder, develop, form · To what, where: curb, free rein, imagination, conventional literary language, full expression, MacPherson
This is a sentence of «Early Bardic Literature, Ireland.» by Standish O'Grady, Early Bardic Literature, Ireland., part 5. The page gives its syntax tree — a dependency tree in the style of Universal Dependencies — and its pragmatics clause by clause: who acts (MacPherson, feelings), what happens, when and where, as Mova's frames read it from the tree.
Mova's own parse. This tree may be wrong.
The tree
The words, one row each (CoNLL-U)
| # | word | lemma | UPOS | features | head | relation |
|---|---|---|---|---|---|---|
| 1 | Thus | thus | ADV | _ | 2 released | advmod |
| 2 | released | release | VERB | Tense=Past VerbForm=Part Voice=Pass | root | root |
| 3 | from | from | ADP | _ | 5 curb | case |
| 4 | the | the | DET | Definite=Def PronType=Art | 5 curb | det |
| 5 | curb | curb | NOUN | Number=Sing | 2 released | obl |
| 6 | of | of | ADP | _ | 7 history | case |
| 7 | history | history | NOUN | Number=Sing | 5 curb | nmod |
| 8 | , | , | PUNCT | _ | 10 gave | punct |
| 9 | he | he | PRON | Case=Nom Gender=Masc Number=Sing Person=3 PronType=Prs | 10 gave | nsubj |
| 10 | gave | give | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 2 released | conj |
| 11 | free | free | ADJ | Degree=Pos | 12 rein | amod |
| 12 | rein | rein | NOUN | Number=Sing | 10 gave | obj |
| 13 | to | to | ADP | _ | 15 imagination | case |
| 14 | the | the | DET | Definite=Def PronType=Art | 15 imagination | det |
| 15 | imagination | imagination | NOUN | Number=Sing | 10 gave | obl |
| 16 | , | , | PUNCT | _ | 22 language | punct |
| 17 | and | and | CCONJ | _ | 22 language | cc |
| 18 | in | in | ADP | _ | 22 language | case |
| 19 | the | the | DET | Definite=Def PronType=Art | 22 language | det |
| 20 | conventional | conventional | ADJ | Degree=Pos | 22 language | amod |
| 21 | literary | literary | ADJ | Degree=Pos | 22 language | amod |
| 22 | language | language | NOUN | Number=Sing | 10 gave | obl |
| 23 | of | of | ADP | _ | 24 sublimity | case |
| 24 | sublimity | sublimity | NOUN | Number=Sing | 22 language | nmod |
| 25 | , | , | PUNCT | _ | 26 gave | punct |
| 26 | gave | give | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 10 gave | conj |
| 27 | full | full | ADJ | Degree=Pos | 28 expression | amod |
| 28 | expression | expression | NOUN | Number=Sing | 26 gave | obj |
| 29 | to | to | ADP | _ | 31 feelings | case |
| 30 | the | the | DET | Definite=Def PronType=Art | 31 feelings | det |
| 31 | feelings | feeling | NOUN | Number=Plur | 26 gave | obl |
| 32 | that | that | PRON | PronType=Rel | 33 arose | nsubj |
| 33 | arose | arise | VERB | Mood=Ind Number=Plur Person=3 Tense=Past VerbForm=Fin | 31 feelings | acl:relcl |
| 34 | within | within | ADP | _ | 35 him | case |
| 35 | him | he | PRON | Case=Acc Gender=Masc Number=Sing Person=3 PronType=Prs | 33 arose | obl |
| 36 | , | , | PUNCT | _ | 39 him | punct |
| 37 | as | as | ADP | _ | 39 him | case |
| 38 | to | to | ADP | _ | 39 him | case |
| 39 | him | he | PRON | Case=Acc Gender=Masc Number=Sing Person=3 PronType=Prs | 26 gave | iobj |
| 40 | , | , | PUNCT | _ | 41 pondering | punct |
| 41 | pondering | ponder | VERB | Tense=Pres VerbForm=Part | 26 gave | advcl |
| 42 | over | over | ADP | _ | 44 ballads | case |
| 43 | those | that | DET | Number=Plur PronType=Dem | 44 ballads | det |
| 44 | ballads | ballad | NOUN | Number=Plur | 41 pondering | obl |
| 45 | , | , | PUNCT | _ | 48 element | punct |
| 46 | their | their | PRON | Case=Gen Number=Plur Person=3 Poss=Yes PronType=Prs | 48 element | nmod:poss |
| 47 | gigantesque | gigantesque | ADJ | Degree=Pos | 48 element | amod |
| 48 | element | element | NOUN | Number=Sing | 44 ballads | appos |
| 49 | developed | develop | VERB | Tense=Past VerbForm=Part Voice=Pass | 48 element | acl |
| 50 | into | into | ADP | _ | 52 greatness | case |
| 51 | a | a | DET | Definite=Ind PronType=Art | 52 greatness | det |
| 52 | greatness | greatness | NOUN | Number=Sing | 49 developed | obl |
| 53 | and | and | CCONJ | _ | 54 solemnity | cc |
| 54 | solemnity | solemnity | NOUN | Number=Sing | 52 greatness | conj |
| 55 | , | , | PUNCT | _ | 58 vagueness | punct |
| 56 | and | and | CCONJ | _ | 58 vagueness | cc |
| 57 | their | their | PRON | Case=Gen Number=Plur Person=3 Poss=Yes PronType=Prs | 58 vagueness | nmod:poss |
| 58 | vagueness | vagueness | NOUN | Number=Sing | 41 pondering | obl |
| 59 | and | and | CCONJ | _ | 60 indeterminateness | cc |
| 60 | indeterminateness | indeterminateness | NOUN | Number=Sing | 58 vagueness | conj |
| 61 | into | into | ADP | _ | 64 immensity | case |
| 62 | that | that | DET | Number=Sing PronType=Dem | 64 immensity | det |
| 63 | misty | misty | ADJ | Degree=Pos | 64 immensity | amod |
| 64 | immensity | immensity | NOUN | Number=Sing | 41 pondering | obl |
| 65 | and | and | CCONJ | _ | 67 obscurity | cc |
| 66 | weird | weird | ADJ | Degree=Pos | 67 obscurity | amod |
| 67 | obscurity | obscurity | NOUN | Number=Sing | 64 immensity | conj |
| 68 | which | which | PRON | PronType=Rel | 72 factors | nsubj |
| 69 | , | , | PUNCT | _ | 72 factors | punct |
| 70 | as | as | ADP | _ | 72 factors | case |
| 71 | constituent | constituent | ADJ | Degree=Pos | 72 factors | amod |
| 72 | factors | factor | NOUN | Number=Plur | 64 immensity | parataxis |
| 73 | in | in | ADP | _ | 75 poem | case |
| 74 | a | a | DET | Definite=Ind PronType=Art | 75 poem | det |
| 75 | poem | poem | NOUN | Number=Sing | 72 factors | nmod |
| 76 | , | , | PUNCT | _ | 81 ground | punct |
| 77 | not | not | PART | Polarity=Neg | 81 ground | advmod |
| 78 | as | as | ADP | _ | 81 ground | case |
| 79 | back | back | NOUN | Number=Sing | 81 ground | compound |
| 80 | - | - | PUNCT | _ | 79 back | punct |
| 81 | ground | ground | NOUN | Number=Sing | 75 poem | appos |
| 82 | , | , | PUNCT | _ | 83 form | punct |
| 83 | form | form | VERB | VerbForm=Inf | 41 pondering | conj |
| 84 | one | one | NUM | NumForm=Word NumType=Card | 83 form | obj |
| 85 | of | of | ADP | _ | 87 elements | case |
| 86 | the | the | DET | Definite=Def PronType=Art | 87 elements | det |
| 87 | elements | element | NOUN | Number=Plur | 84 one | nmod |
| 88 | of | of | ADP | _ | 91 sublime | case |
| 89 | the | the | DET | Definite=Def PronType=Art | 91 sublime | det |
| 90 | false | false | ADJ | Degree=Pos | 91 sublime | amod |
| 91 | sublime | sublime | NOUN | Number=Sing | 87 elements | nmod |
| 92 | . | . | PUNCT | _ | 2 released | punct |
Pragmatics
| # | verb | tense, mood | who | what, whom | to whom | where | when | other | roles by |
|---|---|---|---|---|---|---|---|---|---|
| 1 | release | participle | the curb of history | thus property | vn free-10.6.3-1 «NP V NP S_ING»: agent=Causer | ||||
| 2 | give | past | MacPherson | free rein | the imagination | the conventional literary language of sublimity | vn give-13.1-1 «NP V NP PP.recipient»: agent=Agent rein=Theme to imagination=Recipient | ||
| 3 | give | past | MacPherson not said here | full expression | MacPherson | to the feelings | vn give-13.1-1 «NP V NP-Dative NP»: agent=Agent he=Recipient expression=Theme | ||
| 4 | arise | past | the feelings | within MacPherson | vn appear-48.1.1 «NP V»: agent=Theme | ||||
| 5 | ponder | gerund | MacPherson not said here | ballads's vagueness and indeterminateness | that ballads | into that misty immensity as constituent factors that misty immensity as constituent factors that misty immensity in a poem and weird obscurity in a poem and weird obscurity | vn focus-87.1-1 «NP V»: agent=Agent | ||
| 6 | develop | participle | ballads's gigantesque element not said here | a greatness and solemnity | vn grow-26.2.1 «NP.patient V PP.product»: agent=Patient into greatness=Product | ||||
| 7 | form | infinitive | MacPherson not said here | one of the elements of the false sublime | vn appear-48.1.1 «PP.location V NP»: agent=Location one=Theme |
One row per clause the reader finds. «not said here»: a role filled from the clause above. «roles by»: a VerbNet class and frame when one fits the verb, else the reader's rules on the tree.
Text: «Early Bardic Literature, Ireland.» by Standish O'Grady, Project Gutenberg book 8109 (public domain in the USA). Tree: Mova's own parse, Elamur Cosmic License. Frames: Mova's frames reader (prag), the chapter read in order.
This page in Markdown → https://md.mova.elamur.ai/free/en/corpora/tales/pg8109/5/20/