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38. Dialogue, discourse markers and reported speech

Conversation has its own order: turns, pairs of actions that call for each other, preferred and dispreferred responses, repair, and the steady work of showing that one has understood. Spoken French does this work with a large set of small words — bon, ben, bah, alors, donc, enfin, quoi, hein, voilà, tu vois, du coup, genre — with the filled pause euh, with the feedback tokens ouais, mh, d'accord, with vocatives, and, in writing, with the typography of dialogue (dashes, guillemets, the incise dit-il). This chapter describes these devices, how the French UD treebanks annotate them, how often they occur, and what Mova does with them, which for French is almost nothing yet. Speech acts and the answer particles oui, si, non are in 31. Speech acts; tu/vous, titles and politeness formulas in 32. Politeness and hedging; connectives that link propositions (parce que, donc, pourtant) in 36. Discourse relations and coherence; the spoken register as a whole in 37. Register and variation; the punctuation of dialogue in chapter 7. Every count is on UD 2.18, all splits, made on 2026-11-06.

Contents

  1. The organisation of conversation
  2. Recruitments and responses
  3. Feedback and grounding
  4. Discourse markers
  5. The filled pause, interjections and laughter
  6. Disfluency and reformulation
  7. Vocatives and address
  8. Reported speech
  9. Dialogue in written narrative
  10. Questions and answers in dialogue
  11. French dialogue corpora and dialogue acts
  12. How Mova handles it

1. The organisation of conversation

Conversation analysis describes talk as an orderly system of turns (Sacks, Schegloff & Jefferson 1974; not open — see the English chapter, 38. Dialogue, discourse markers and reported speech §1, for the units: turn-constructional unit, transition-relevance place, adjacency pair, preference, insertion sequence, repair, pre-sequence). The units are the same in French; what differs is the material that fills them.

unitFrench example
turn-constructional unitUn café ?
adjacency pair: greeting–greetingBonjour. — Bonjour.
adjacency pair: offer–acceptanceJe vous sers ? — Oui, merci.
adjacency pair: thanks–responseMerci. — De rien. / Je vous en prie. / Belgium, Québec: Bienvenue., Belgium: S'il vous plaît.
dispreferred responseBen… c'est-à-dire que ce soir, je peux pas trop.
insertion sequenceTu viens samedi ? — C'est chez qui ? — Chez Paul. — Alors oui.
other-initiated repairPardon ? / Comment ? / familiar Quoi ? / Hein ?
self-repairje l'ai donné à, euh, prêté à Marie
pre-sequenceT'es libre ce soir ? (pre-invitation)

Transition-relevance places. Listeners do not wait for silence to take the floor: they predict where the current turn can end. Uro et al. (2024, uro-2024-evaluation-perceptive-de-l-anticipation, CC BY 4.0) tested this on French television talk (the REPERE corpus). Fifty-three French speakers heard or read 64 inter-pausal units, cut by zero to three prosodic words before their end, and judged whether they could take the floor now, soon or not yet. With the audio, listeners anticipated a turn end up to three prosodic words before it came, and they were more reluctant to take the floor at non-terminal boundaries; with the transcript alone they anticipated less. The prosody of speech, not only its words and syntax, carries the turn-end cues. A second paper by the same group annotates transition-relevance places and interruptions in French conversation (uro-2024-annotation-transition-relevance-places-interruptions, CC BY-NC 4.0: it informs, it is not quoted).

For a text-only system the consequence is plain: in a transcript the turn boundaries are given by the transcriber, and the cues that told the listener where they were — falling pitch, lengthening, the final quoi or hein — survive only in part, as words.

Dispreferred responses in French have the shape described for English: a delay, a preface (ben, bah, euh, bon), an appreciation or an apology (c'est gentil, désolé), an account (c'est que…, c'est-à-dire que…), and a softened refusal (je vais pas pouvoir, ça va être compliqué). Ben and bah (§4) are the French counterparts of English well in this position.

2. Recruitments and responses

A recruitment gets another person to do something practical (Floyd, Rossi & Enfield (eds.) 2020, books/e/en/enfield-2020-getting-others-things-pragmatic, open; English chapter §2). French is not one of the volume's eight languages, so no comparable French count exists in an open source we hold. What the grammar offers is described in 31 §4 (the ladder from the imperative to Est-ce que vous pourriez…?) and 32 §6 (the conditional and the imperfect of politeness). Two French points matter for dialogue:

3. Feedback and grounding

Participants show each other that they have heard and understood (Clark & Schaefer 1989, papers/c/cl/clark-1989-contributing-discourse; Clark & Brennan 1991, papers/c/cl/clark-1991-grounding-communication; English chapter §3). The French feedback inventory is short and very frequent.

signalFrench formsnotes
continuer, backchannelmh, mhm, hm, ouais, ouimh and ouais are the "light" tokens produced in overlap with the speaker
acknowledgement, agreementd'accord, OK, ouais, oui, voilà, c'est ça, tout à fait, effectivementvoilà and c'est ça confirm that the speaker's own formulation was right
news receipt, change of stateah, ah bon, ah ouais, tiens, ah d'accordah bon ? with a rise asks for confirmation of news
assessmentgénial, super, c'est vrai, n'importe quoi—
request for repairpardon ?, comment ?, quoi ?, hein ?, tu dis ?, c'est-à-dire ?quoi ? and hein ? are familiar; comment ? neutral; pardon ? polite
display by repetitionMardi. — Mardi, d'accord.a fragment

Prévot and colleagues studied feedback in the Corpus of Interactional Data (CID, about eight hours of conversation recorded in Aix-en-Provence) (prevot-2013-quantitative-view-feedback-lexical-markers, CC BY-NC-SA 3.0: informs only, not quoted). In our words: the core feedback items there are ah, bon, ben, euh, mh, ouais, oui, non, d'accord, OK and voilà; they combine freely (some two hundred distinct combinations, mostly repetitions such as ouais ouais ouais and base items preceded by a modifier such as ah or euh); and speakers differ a great deal — the heavy feedback producers are those who produce many light backchannels (mh, ouais), much of it in overlap. The SUMM-RE meeting corpus (Hunter et al. 2024, hunter-2024-summ-re-corpus-french-meeting, CC BY 4.0) counts backchannels per minute with a deliberately simple definition — single-word utterances among oui, ouais, hm, mh, non, ok, ah, ben, bien, eh, euh, voilà — and finds fewer backchannels and more filled pauses in video-call meetings than in meetings in person: grounding costs more when the channel is poorer, as Clark & Brennan predict.

In the UD treebanks, feedback is visible only where a listener's token is transcribed inside the speaker's unit or as its own unit. Rhapsodie (dialogues and monologues) carries a # speaker comment on every one of its 3 209 sentences; ParisStories is mostly monologue narratives told to a listener. Their feedback tokens are INTJ with discourse: ouais 104, oui 106, mh 43, voilà 74 occurrences as discourse in the two treebanks together (§4.3). Kahane et al. (2021, kahane-2021-annotation-guidelines-ud-sud-treebanks, CC BY 4.0) propose that a listener's filler such as mh, uttered during the speaker's utterance, be its own tree with features pointing to the utterance it attaches to; the UD 2.18 French treebanks do not have these features (no AttachTo in Rhapsodie or ParisStories, checked 2026-11-06).

4. Discourse markers

4.1 What they are

Discourse markers (French marqueurs discursifs, also particules énonciatives, petits mots du discours) are mostly invariable words and phrases that do not add to the truth conditions of the utterance and that show how it relates to what came before, to the speaker's state of mind, or to the management of the interaction. Herreño Castañeda & Sillaire (2025, castaneda-2025-annotation-de-marqueurs-discursifs-le, CC BY 4.0) distinguish three families of function: structuring the discourse logically and in time (the connectives, for which LEXCONN is the reference list; 36), expressing the speaker's attitudes and emotions, and managing the interaction. Most markers are polyfunctional, and most also have a non-marker use (quoi the pronoun, enfin "at last", genre "kind, gender", après "after"), so the first task is to tell the uses apart.

That task is hard even for experts. In the CODIM project, a corpus of about 110 million tokens of spoken, written and online French was pre-annotated with local grammars; for après, only 848 occurrences were sure markers, 75 151 sure non-markers and 70 059 left as candidates — more than half of the candidates in the spoken and online parts. Two experts then annotated candidates as contrastive marker (après, c'est pas grave "then again, it doesn't matter") or non-contrastive: a naive first protocol reached Cohen's κ = 0.54, a refined one κ = 0.69, with most disagreements in speech (the same paper). Sow et al. (2025, sow-2025-etat-de-l-art-sur, CC BY 4.0), reviewing discourse markers in NLP, note that LEXCONN lists 328 French connectives with their syntactic categories and relations, and that nearly all NLP work on markers is on written text, not on speech or its transcripts.

4.2 The main French markers

markertypical functionspositionregister
bonclosing one stage and opening the next; resignation; reluctant concession (bon, d'accord)initialneutral, spoken
ben / bahpreface to a response that is not the simple expected one; obviousness (ben oui !); hesitation; bah also mild disdaininitial in a turn or after etfamiliar; bah more so
eh bienthe written and careful equivalent of ben: introducing a response or a conclusioninitialneutral, written possible
alorsopening or resuming a topic (alors, ce matin…); asking for the upshot (alors ?); sequence in narrationinitialneutral
doncresuming the main line after a digression; upshot; a step in narrationinitial or after etneutral; as a pure marker spoken
enfinself-correction (il est gentil, enfin, poli); restriction; exasperation (enfin !); closing a listmedialneutral; the corrective use is spoken
quoiclosing a unit with a summarising or "that's all there is to it" valuefinalfamiliar
heinseeking agreement or attention; tag question (c'est bien, hein ?); request for repair (hein ?)final, or alonefamiliar
voilàconfirming, completing, closing (voilà, c'est tout); "that's it" after an explanationfinal, alone, or initialneutral, very frequent in speech
tu vois, tu sais, vous savezappeal to shared knowledge; floor holdingmedial or finalspoken
je veux direreformulation, clarificationmedialspoken
du coupupshot, consequence; in recent use often a weak sequencerinitial or medialfamiliar, spreading
genreapproximation (genre des morceaux de beurre); introducing an example or a quotation (il me fait genre « non »)before a phrasefamiliar, young speakers
en faitcorrecting an expectation; often a weak topic openerinitialneutral, very frequent in speech
brefcutting short, summarisinginitialneutral
quand mêmeconcession, insistence, reproach (t'aurais pu le dire quand même)medial or finalneutral
làanchoring in the situation (je travaille dans le privé là)finalfamiliar
aprèscontrast, "then again" (après, chacun fait ce qu'il veut)initialfamiliar, recent

Two observations. First, several of these are grammaticalised clauses: tu vois, tu sais, je veux dire, je crois, je sais pas are verbs whose object is the host utterance and which cannot take their own tense or modifiers (*tu as vu in the same function) — Kahane et al. (2021) cite this as the reason to treat them as markers rather than parentheticals. Second, the written language uses only a few of them (bref, eh bien, enfin, quand même); in edited prose most appear only in dialogue.

Bally (1909, Traité de stylistique française, bally-1909-traite-de-stylistique-fran, public domain), one of the first to describe the langue parlée as a system rather than a corruption of writing, already set the expressive "affective" means of speech — interjections, exclamative words, intonation — beside its logical means (§§ 261 and following of his treatise); the discourse-marker literature since the 1980s has given that intuition a lexicon.

4.3 In the treebanks

How the UD French treebanks annotate markers depends on the treebank. The written treebanks (GSD, Sequoia, PUD) follow the UD rule that a marker keeps the relation of its word class: donc and alors are advmod (GSD: donc advmod 177, alors advmod 250 and mark 124), and discourse is kept for interjections. The spoken treebanks (Rhapsodie, ParisStories), converted from SUD, give discourse to markers of any word class: ADV (enfin, donc, alors), NOUN (coup in du coup, genre), the ADP head of en fait, and verbal markers (tu vois, tu sais, je veux dire, je crois). Kahane et al. (2021) explain the choice: the category-based distinction of UD was judged unwarranted, so SUD extends discourse to verbal markers (in UD, parataxis:discourse would be expected). In ParisStories donc is advmod 238 times and discourse 61 times: the line is drawn by use, not by word.

discourse per treebank (UD 2.18, all splits, syntactic words with punctuation as denominator, 2026-11-06):

treebankwordsdiscourseper 1 000 wordsINTJreparandum
ParisStories (spoken, CC BY-SA 4.0)42 7893 24675.92 3911 035
Rhapsodie (spoken, CC BY-SA 4.0)44 2341 91943.41 9101 205
GSD (written, CC BY-SA 4.0)400 385490.12870
Sequoia (written, LGPL-LR)70 54530.0450
PUD (written, CC BY-SA 3.0)—31—00
ParTUT (written, CC BY-NC-SA 4.0: counts only)—15—11

The spoken treebanks have six hundred times the rate of GSD. The difference is partly the language and partly the annotation: if Rhapsodie and ParisStories followed the GSD convention, their ADV and verbal markers would not be discourse, but the interjections alone (euh, bah, ben, ouais, hein, mh) would still give some forty per thousand words.

The most frequent discourse lemmas:

rankParisStoriesnRhapsodienGSDn
1euh1 598euh994bref13
2(du) coup230hein78attention9
3bah203enfin74oui5
4enfin154ben65bonjour3
5en (fait)142bon60non, merci, enfin, dommage, ah2 each
6ouais82ah59
7genre78oui58
8bon68donc52
9donc61alors48
10voilà58en (fait)38
11oui48non34
12non46mh30
13quoi45eh30
14ah45vouloir (je veux dire)23
15hein37voir (tu vois)23

Two spoken corpora, two profiles. ParisStories (young Parisian speakers telling stories, recorded 2019–2022) is the corpus of du coup, bah, genre and en fait; Rhapsodie (recorded earlier, more varied situations, including radio and public speech) has more hein, ben, alors and je veux dire, and du coup is not among its frequent markers. Genre as a marker (78 in ParisStories) does not occur as discourse in Rhapsodie at all. These are the generational markers that chapter 37 describes; the two treebanks are too small and too different in their situations to date the change, but they show its direction. In GSD, the written web texts (reviews, blogs) use bref to close a review (Bref, à déconseiller !, fr-ud-test_00215) and attention as a warning.

Short examples from the spoken treebanks (CC BY-SA 4.0; transcription as in the treebank):

(1) et du coup tu finis avec une vraie boule de pâte. (ParisStories_2019_cuisineApproximative_14) — du coup as upshot of the preceding step.

(2) et en gros euh, ensuite, ensuite, tu mets le beurre, genre des morceaux de beurre. (ParisStories_2019_cuisineApproximative_5) — euh filled pause, ensuite repeated (the first is reparandum), genre introducing an approximation.

(3) pas une semaine après, hein. (ParisStories_2020_concoursInstagram_41) — final hein, seeking agreement with a self-correction.

(4) du coup, on a dit, bah, voilà, quoi, c'est notre chien! (ParisStories_2021_adoptionMouts_21) — four markers before the reported words.

(5) mais, je veux dire, ils ont travaillé normalement. (Rhap_D0002-7) — je veux dire as discourse, its verb vouloir the head.

(6) euh, je pense que la chirurgie, c'est pareil, hein. (Rhap_D0006-100).

4.4 Positions

Where in the unit each marker stands (ParisStories and Rhapsodie together; first and last non-punctuation word of the sentence as segmented by the treebank; "medial" includes a marker after a conjunction or after another marker, as in et euh or bah ouais; 2026-11-06):

markertotalfirst wordmediallast word
euh2 5922302 134228
enfin228831405
bah218521651
bon12838846
hein115102877
ah10482220
ouais104454613
ben9624720
genre7821552
voilà74104915
alors6845221
quoi6301845
bref2641210

The table confirms the positional classes of §4.2: quoi and hein are closers (71% and 67% of their marker uses are the last word), ah and alors openers, bah, ben and bon turn-initial prefaces that usually follow et, mais or another marker rather than standing first. Euh is everywhere. Bref is split between opening a summary and closing a unit.

5. The filled pause, interjections and laughter

The filled pause euh (/ø/, often lengthened) is the most frequent discourse word of spoken French: 1 598 in ParisStories (37.3 per thousand words) and 994 in Rhapsodie (22.5). It is not an interjection in meaning: it holds the floor while the speaker plans, and it marks the place of a coming repair (§6). After UD 2.18, the French guidelines added the subtype discourse:filler for it, together with discourse:tag for tag questions (…, hein ?, …, non ?) and conj:reform for reformulations (Mova's notes on the UD guidelines: dialects/ud-next/seeds.md#fr-spoken-subtypes); the 2.18 treebanks counted here do not use them yet. Euh is spelled euh in French transcripts (heu is an older variant).

Interjections proper — ah, oh, eh, ouf, aïe, ouille, bof, hop, chut, beurk, waouh, oh là là, mince, zut, punaise (euphemistic), putain (vulgar, extremely frequent in some speech) — express emotion and take no dependents in the usual case. Bally (1909, §261) described the primary interjections ah! eh! oh! as former involuntary cries that have come to be used with a symbolic value for pure affective movements, beside "exclamative words" that are ordinary words used as exclamations (Ciel !, Dommage !). GSD has 87 INTJ tokens in 400 385 words (2026-11-06), Sequoia 5: written French keeps its interjections for quoted speech, greetings (bonjour, salut) and the web.

Some interjections are verbs or nouns frozen in the imperative or as a noun phrase: tiens, tenez ("here", "well, well"), allez (encouragement, closing: allez, salut), dis donc, dites donc (calling attention, mild reproach), voyons (reproach), attention, pardon, dommage. UD tags the frozen imperatives as VERB or INTJ depending on the treebank (ParisStories: tenir as discourse 7 times).

Laughter is transcribed by the spoken corpora as a non-speech event and is not part of the UD trees. It is a dialogue move with its own placement in turns (Ginzburg et al. 2020, ginzburg-2020-laughter-as-language); for French, Bigi and colleagues have studied laughter in the CID (bigi-2016-laughter-french-spontaneous-conversational-dialogs, CC BY-NC 4.0: informs only), and SUMM-RE marks laughs and coughs in its corrected transcripts (Hunter et al. 2024).

6. Disfluency and reformulation

Spoken French repeats and repairs constantly: le, le, le vacarme; j'ai euh, j'entends, j'écoutais pardon la radio (ParisStories_2019_devoirPhilosophie_11). The two spoken treebanks have more reparandum than any other relation of speech except discourse: 1 035 in ParisStories (24.2 per thousand words) and 1 205 in Rhapsodie (27.2); the written treebanks have none (one in ParTUT).

The annotation is not the standard UD one, and a reader of these trees must know it. Kahane et al. (2021) analyse repetitions, corrections and reformulations as paradigmatic lists — the same syntactic position filled several times — following Blanche-Benveniste's work on spoken French; in SUD they are a subtype of conj, conj:dicto, and nothing said is treated as cancelled. In the conversion to UD, conj:dicto is renamed reparandum, but the first conjunct remains the head: the repaired element depends on the reparandum, the reverse of the usual UD analysis where the reparandum depends on the repair. The authors also chose not to separate voluntary reformulation from disfluency, because the line between them cannot be drawn reliably. Truncated words are marked with a tilde (pl~, plein d'enfants, ParisStories_2021_couruLaVoir_11).

Reformulation markers introduce the repair or the second formulation: enfin (the most frequent), je veux dire, c'est-à-dire, pardon, ou plutôt, disons: on vit vraiment dans un petit micro~, enfin, vraiment dans un petit microcosme (Rhap_D0006-47). Grabar & Eshkol-Taravella have worked on detecting reformulations and predicting their pragmatic functions in spoken French (grabar-2016-prediction-automatique-de-fonctions-pragmatiques, CC BY 4.0; grabar-2016-detection-reformulations-spoken-french, CC BY-NC 4.0).

7. Vocatives and address

A vocative names or calls the addressee; UD gives it the relation vocative from the head of the clause. The choice of address term — first name, Monsieur/Madame, title, endearment, insult — is a politeness choice and is treated in 32 §5; here, the dialogue side.

positionfunctionFrench example
initialsummons, selecting the addresseePaul, viens voir.
initial, formalopening a speech or a letterMonsieur le Président, …; Madame, Monsieur,
medialemphasisJe t'ai dit, Paul, de ne pas toucher.
finalsoftening, rapportMerci, ma chérie.
with a greetingthe French greeting normally carries a term of addressBonjour Monsieur., Bonjour Eric. (Rhap_M2006-1)
alonea callPaul !

French politeness expects the greeting to be completed by a term of address in formal service encounters (Bonjour Madame rather than a bare Bonjour); in familiar speech, generational vocatives play the role of English dude, mate: mec, meuf, frère, gros, ma poule. ParisStories has cauchemar, meuf, tu peux même pas savoir. (ParisStories_2022_11_copineEnCarton__33), with meuf as vocative.

The vocatives per treebank (2026-11-06): GSD 15 (NOUN 10, PROPN 5), Sequoia 53 — all NOUN, 37 monsieur and 16 madame, the opening formulas of the European Parliament debates in its Europarl part (Monsieur le Président, Madame la Présidente) —, Rhapsodie 41 (PROPN 25, NOUN 16: a host greeting guests by name, as in Rhap_M2006-1), ParisStories 16, ParTUT 71 (licence NC: counted, not quoted), PUD 1. The parliamentary formula is the single most frequent vocative of written French in these treebanks.

8. Reported speech

8.1 Forms

formFrench exampledeixis and tenseUD in GSD
direct speech« Je suis en retard », dit le lapin.the quoted speaker's je, ici, maintenantthe quote is the root; the reporting clause is parataxis:insert
direct speech, frame firstLe lapin dit : « Je suis en retard. »samethe quote's head is ccomp or parataxis of dire
indirect speechLe lapin dit qu'il est en retard.the reporter's; tense agreement after a past verb (il a dit qu'il était en retard)ccomp with mark que
indirect questionIl demande si tu viens. / Il demande où tu vas. / Il demande ce que tu veux.the reporter's; no inversion, no est-ce queccomp with mark si, or a wh-word
free indirect speech (style indirect libre)Il regarda l'heure. Il était en retard, encore une fois ! Qu'allait-on penser de lui ?the character's thought in the narrator's tense and personseparate sentences, no marking
quotative genre, faire, être làIl me fait : « Non. »; elle était genre « laisse tomber »; et moi j'étais là, « quoi ? »the quoted speaker'sfaire + quote; genre discourse
quotation marks of mention or distancele mot « liberté »; ses « amis »—no speech

Tense agreement (concordance des temps) in indirect speech after a past reporting verb shifts present to imperfect, past to pluperfect, future to conditional: Il a dit : « Je viendrai. » → Il a dit qu'il viendrait. Spoken French often keeps the original tense when the content still holds (Il m'a dit qu'il vient demain); the shift is the rule of writing (chapter 13, chapter 24).

8.2 The incise

After or inside a direct quotation, French reports the speaker in an incise with the subject inverted: dit-il, répondit Marie, a-t-elle ajouté, s'écria le roi, précise le ministre. The inversion is obligatory in the standard language, whether the subject is a pronoun or a noun; the euphonic -t- appears between a vowel-final verb and il, elle, on (a-t-il dit, demanda-t-elle). Spoken familiar French has an uninverted qu'il dit, qu'elle me fait (Je viens pas, qu'il me dit), which grammars mark as popular; Tobler (1905, Mélanges de grammaire française, tobler-1905-melanges-de-grammaire-fran, public domain) traces the Old French background of these mixed constructions (ch. XXXIX: direct speech introduced by que, direct speech continuing indirect speech).

Kahane et al. (2021) distinguish the incise (parataxis:insert) from a parenthetical clause (parataxis:parenth): an incise is not saturated — its object is the quote — and cannot stand alone, it belongs to the formal registers (news, stories, sermons), and in French it is marked by subject inversion. The counts bear this out. In GSD (2026-11-06) there are 183 parataxis:insert, 182 of them headed by a verb; of these, 139 have the subject after the verb (76%) and 43 before it. The verbs are verbs of saying: dire 21, ajouter 19, expliquer 15, déclarer 15, indiquer 14, affirmer 13, préciser 12, souligner 8, annoncer 8, écrire 6, rapporter 5 — the reporting verbs of the press. Examples:

(7) "Il est désormais clair que l'incident est spécifique au moteur Trent 900", a ajouté Rolls-Royce. (fr-ud-train_00610) — root clair (the head of the quote), parataxis:insert(clair, ajouté), nsubj(ajouté, Rolls-Royce) after the verb.

(8) L'accord engendrera une perte financière considérable pour l'UE, a souligné la même source. (fr-ud-dev_00803) — a report without quotation marks, the same structure.

This is the reverse of the English EWT analysis, where the reporting verb is the root and the quote its ccomp (English chapter §7.1). A reader that looks for the speaker of a quote must, in French UD, go from the quote's root down to a parataxis:insert child and take its nsubj, wherever that subject stands. The spoken treebanks have almost no incises (Rhapsodie 15 parataxis:insert, mostly écrire in a read-aloud text; ParisStories none), but they have parenthetical tu sais, je sais pas as parataxis:parenth (ParisStories 27, Rhapsodie 39).

8.3 Free indirect speech

The style indirect libre — a character's words or thoughts given without a reporting verb, in the narrator's tense and person, but with the character's exclamations, questions, deictics and evaluations — is a classic of French narrative prose from La Fontaine to Flaubert and Zola. The name comes from Charles Bally's 1912 article (Le style indirect libre en français moderne, Germanisch-Romanische Monatsschrift 4; not in our library — wanted), written after Tobler had noted the mixture of direct and indirect report in older French. Its marks:

Nothing in a UD tree marks it; it is a property of a stretch of text, recognised by the combination of narrative tense and the speaker's subjectivity.

9. Dialogue in written narrative

French typography gives dialogue its own layout (chapter 7):

« Vous partez déjà ? demanda-t-elle.
— Il le faut, répondit-il. Le train est à huit heures.
— Alors, bon voyage. »

The treebanks barely contain literary dialogue: in GSD the opening guillemet « occurs 955 times, 101 of them sentence-initially, the straight quote " 952 times (63 initial), the closing » 894 times, and the long dash — twice (2026-11-06); the quotations are press quotations and titles, not dialogue. Sequoia's sentence-initial hyphens (312) are list items of its medical texts, not dialogue dashes. A French dialogue reader will therefore have to be built and checked on public-domain novels and tales rather than on the treebanks.

10. Questions and answers in dialogue

A question makes an answer relevant. French has a three-way answer system to polar questions: oui to a positive question, non to either, and si to contradict a negative question or statement (Tu ne viens pas ? — Si ! "Yes, I am"); a bare oui after a negative question is ambiguous and often corrected by the hearer (31 §6.1). Spoken answers are reinforced or softened: ben oui, bah non, ouais ouais, si si, mais si, ben si, pas du tout, absolument, tout à fait, carrément (young, emphatic).

Questions in dialogue are often not requests for information:

11. French dialogue corpora and dialogue acts

Dialogue-act schemes — DAMSL, SWBD-DAMSL, the ISO 24617-2 standard — are described in the English chapter (§10) and in 31 §12; the discourse markers of §4 and the feedback tokens of §3 fill exactly the feedback, turn-management and discourse-structuring dimensions of ISO 24617-2. The French corpora with dialogue or conversation, and what their licences allow:

corpuswhat it islicence (of the corpus; checked where stated)for Mova
UD Rhapsodie3 209 sentences of spoken French, dialogues and monologues, with speaker metadata; a new intonosyntactic format joins its prosody and syntax (Botero-Garcia et al. 2025, garcia-2025-intonosyntactic-treebank-spoken-french-what, CC BY 4.0)CC BY-SA 4.0 (UD README)counts, short quotes, tests
UD ParisStories2 776 sentences of young Parisians' oral narratives (2019–2022)CC BY-SA 4.0 (UD README)counts, short quotes, tests
CID, Corpus of Interactional Dataeight hours of face-to-face conversation (Aix-en-Provence); feedback studies (§3)not checked here; papers CC BY-NC-SAinforms only
Aix Map Tasktask-oriented French dialogue, multimodal (gorisch-2014-aix-map-task-corpus-french, paper CC BY-NC 4.0)not checked hereinforms only
MEDIAtelephone dialogues for hotel booking, annotated with semantic concepts; the French spoken-language-understanding benchmark (devillers-2004-french-media-evalda-project-evaluation, paper CC BY-NC 4.0)distributed by ELRA under its own termsnot used
TCOF, CFPP2000, ORFEO, ESLO, OFROMlarge transcribed corpora of spoken French (interaction, Paris interviews, a reference corpus of contemporary French, Orléans, French-speaking Switzerland)per corpus on Ortolang and the project sites; not checked herenot used
SUMM-REabout 95 hours of French meeting-style conversations, 25 hours with manually corrected aligned transcripts (Hunter et al. 2024, CC BY 4.0 paper)not checked herenot used
FREDSumtranscribed French political debates with summaries (Rennard et al. 2023, rennard-2023-fredsum-dialogue-summarization-corpus-french, CC BY 4.0 paper)not checked herenot used
Claire-Dialogue-Frencha compilation of French conversation transcripts and theatre plays used to train the Claire models (Louradour et al. 2024, louradour-2024-claire-large-language-models-spontaneous, CC BY 4.0 paper)mixed: many parts research-only; the authors released NC-trained models and, separately, Apache-licensed models trained only on the commercially usable partsnot used

The Claire compilation is a useful map of the field: it gathers parliamentary debates, theatre (the public-domain Théâtre classique collection among them), interviews, meetings and free conversation from more than twenty French corpora, and its authors had to split their release by licence because so many of the spoken corpora are shared for research only (Louradour et al. 2024). The same constraint holds for Mova: most French conversation data can be used for measurement but not built into what is released (Data and model licences).

No French corpus we hold is annotated with dialogue acts in the ISO 24617-2 sense under an open licence; Prévot and colleagues annotated communicative functions of feedback in the CID (prevot-2015-annotation-classification-french-feedback-communicative, CC BY-NC-SA 3.0: informs only).

How Mova handles it

Nothing in Mova reads French dialogue today. Checked against the code on 2026-11-06:

What is being built. The Eel, the worker that improves Mova's trees and pragmatics, has a round kind prag-fr for French pragmatics in its round schedule (tools/eel/src/schedule.rs, tools/eel/src/native.rs, in development on 2026-11-06): a native CPU tool of Mova's own is run on a pinned French dev sample, its candidate is installed only on a measured gain, and its proposals are queued for review, never admitted as gold. The French pragmatics tool that such a round would run is not yet written, and there is no French measurement. Above the per-language layers, a language-independent meta-pragmatics — the acts, voices, feedback and turn functions of this chapter described once, with each language supplying its own cues (euh and um, hein and right?, « » and “ ”, the inverted incise and the English said the Rabbit) — is planned; nothing of it is implemented. The language-neutral label set of prag/src/schema.rs is the natural place for it to start.

For dialogue, a French layer would need, in order of cost:

  1. Counts from the trees (§§4–7 of this chapter): discourse, reparandum, vocative, parataxis:insert and parataxis:parenth per text, as register features; no lexicon needed.
  2. Quotes: « » and the dialogue dash in the quote tracker; the GSD incise structure (quote root → parataxis:insert → nsubj) in the frame reader; the French reporting verbs (dire, demander, répondre, ajouter, expliquer, déclarer, affirmer, préciser, s'écrier, murmurer…).
  3. A closed French marker lexicon with the functions and positions of §4.2, checked against the counts of §4.3–4.4; the feedback inventory of §3; the answer particles oui / si / non.
  4. French lists for the dialogue layer: greetings, thanks and their answers, apologies, question words, request formulas (from 31 and 32).
  5. A gold set: there is none under an open licence for French dialogue acts; a small one built on public-domain plays and novels and on the CC BY-SA spoken treebanks would be the yardstick.

Sources

This page in Markdown → https://md.mova.elamur.ai/free/en/docs/languages/fr/38-dialogue-and-discourse-markers/