The Arabian Nights Entertainments, Opening, part 35, sentence 12
Dog though I was, I saw through her design, and stung into presence of mind by the greatness of the danger, I timed my movements so well that I contrived to rush through, and only the tip of my tail received a squeeze as she banged the gate.
Who acts: I, tip, frantic, my · What happens: be, sting, time, contrive, rush, receive · To what, where: design, presence, movements, squeeze, gate
This is a sentence of «The Arabian Nights Entertainments» by Andrew Lang, Opening, part 35. The page gives its syntax tree — a dependency tree in the style of Universal Dependencies — and its pragmatics clause by clause: who acts (I, tip, frantic, my), what happens, when and where, as Mova's frames read it from the tree.
Parsed by Mova, not checked by a teacher. This tree is Mova's own parse (the en model, on the CPU, when the site is built); it may be wrong.
The tree
The words, one row each (CoNLL-U)
| # | word | lemma | UPOS | features | head | relation |
|---|---|---|---|---|---|---|
| 1 | Dog | dog | NOUN | Number=Sing | root | root |
| 2 | though | though | SCONJ | _ | 3 I | mark |
| 3 | I | I | PRON | Case=Nom Number=Sing Person=1 PronType=Prs | 1 Dog | conj |
| 4 | was | be | AUX | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 7 saw | cop |
| 5 | , | , | PUNCT | _ | 7 saw | punct |
| 6 | I | I | PRON | Case=Nom Number=Sing Person=1 PronType=Prs | 7 saw | nsubj |
| 7 | saw | see | VERB | Mood=Ind Number=Sing Person=1 Tense=Past VerbForm=Fin | 3 I | acl:relcl |
| 8 | through | through | ADP | _ | 10 design | case |
| 9 | her | her | PRON | Case=Gen Gender=Fem Number=Sing Person=3 Poss=Yes PronType=Prs | 10 design | nmod:poss |
| 10 | design | design | NOUN | Number=Sing | 7 saw | obl |
| 11 | , | , | PUNCT | _ | 13 stung | punct |
| 12 | and | and | CCONJ | _ | 13 stung | cc |
| 13 | stung | sting | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 7 saw | parataxis |
| 14 | into | into | ADP | _ | 15 presence | case |
| 15 | presence | presence | NOUN | Number=Sing | 13 stung | obl |
| 16 | of | of | ADP | _ | 17 mind | case |
| 17 | mind | mind | NOUN | Number=Sing | 15 presence | nmod |
| 18 | by | by | ADP | _ | 20 greatness | case |
| 19 | the | the | DET | Definite=Def PronType=Art | 20 greatness | det |
| 20 | greatness | greatness | NOUN | Number=Sing | 13 stung | obl |
| 21 | of | of | ADP | _ | 23 danger | case |
| 22 | the | the | DET | Definite=Def PronType=Art | 23 danger | det |
| 23 | danger | danger | NOUN | Number=Sing | 20 greatness | nmod |
| 24 | , | , | PUNCT | _ | 26 timed | punct |
| 25 | I | I | PRON | Case=Nom Number=Sing Person=1 PronType=Prs | 26 timed | nsubj |
| 26 | timed | time | VERB | Mood=Ind Number=Sing Person=1 Tense=Past VerbForm=Fin | 13 stung | conj |
| 27 | my | my | PRON | Case=Gen Number=Sing Person=1 Poss=Yes PronType=Prs | 28 movements | nmod:poss |
| 28 | movements | movement | NOUN | Number=Plur | 26 timed | obj |
| 29 | so | so | ADV | _ | 30 well | advmod |
| 30 | well | well | ADV | Degree=Pos | 26 timed | advmod |
| 31 | that | that | SCONJ | _ | 33 contrived | mark |
| 32 | I | I | PRON | Case=Nom Number=Sing Person=1 PronType=Prs | 33 contrived | nsubj |
| 33 | contrived | contrive | VERB | Mood=Ind Number=Sing Person=1 Tense=Past VerbForm=Fin | 26 timed | advcl |
| 34 | to | to | PART | _ | 35 rush | mark |
| 35 | rush | rush | VERB | VerbForm=Inf | 33 contrived | xcomp |
| 36 | through | through | ADV | _ | 35 rush | advmod |
| 37 | , | , | PUNCT | _ | 45 received | punct |
| 38 | and | and | CCONJ | _ | 45 received | cc |
| 39 | only | only | ADV | _ | 41 tip | advmod |
| 40 | the | the | DET | Definite=Def PronType=Art | 41 tip | det |
| 41 | tip | tip | NOUN | Number=Sing | 45 received | nsubj |
| 42 | of | of | ADP | _ | 44 tail | case |
| 43 | my | my | PRON | Case=Gen Number=Sing Person=1 Poss=Yes PronType=Prs | 44 tail | nmod:poss |
| 44 | tail | tail | NOUN | Number=Sing | 41 tip | nmod |
| 45 | received | receive | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 13 stung | conj |
| 46 | a | a | DET | Definite=Ind PronType=Art | 47 squeeze | det |
| 47 | squeeze | squeeze | NOUN | Number=Sing | 45 received | obj |
| 48 | as | as | SCONJ | _ | 50 banged | mark |
| 49 | she | she | PRON | Case=Nom Gender=Fem Number=Sing Person=3 PronType=Prs | 50 banged | nsubj |
| 50 | banged | bang | VERB | Mood=Ind Number=Sing Person=3 Tense=Past VerbForm=Fin | 45 received | advcl |
| 51 | the | the | DET | Definite=Def PronType=Art | 52 gate | det |
| 52 | gate | gate | NOUN | Number=Sing | 50 banged | obj |
| 53 | . | . | PUNCT | _ | 1 Dog | punct |
Pragmatics
| # | verb | tense, mood | who | what, whom | to whom | where | when | other | roles by |
|---|---|---|---|---|---|---|---|---|---|
| 1 | is | past | I | frantic's design | see property | tree rules | |||
| 2 | sting | past | presence of mind | by the greatness of the danger | vn amuse-31.1 «NP V ADV-Middle»: agent=Experiencer | ||||
| 3 | time | past | I | my movements | well property | vn register-54.1-2 «NP V NP»: agent=Agent movement=Theme | |||
| 4 | contrive | past | I | tree rules | |||||
| 5 | rush | to-infinitive | I not said here | through property | vn run-51.3.2-2-1 «NP V»: agent=Theme | ||||
| 6 | receive | past | the tip of my tail | a squeeze | vn obtain-13.5.2 «NP V NP»: agent=Agent squeeze=Theme | ||||
| 7 | bang | past | frantic | the gate | vn sound_emission-43.2 «PP.location V NP»: agent=Location gate=Theme | ||||
| 8 | design | frantic | nom design «act transitive»: poss=agent | ||||||
| 9 | move | my | nom movement «act transitive»: poss=agent |
One row per clause the reader finds. «not said here»: a role filled from the clause above. «roles by»: a VerbNet class and frame when one fits the verb, else the reader's rules on the tree.
Text: «The Arabian Nights Entertainments» by Andrew Lang, Project Gutenberg book 128 (public domain in the USA). Tree: Mova's own parse, Elamur Cosmic License. Frames: Mova's frames reader (prag), the chapter read in order.
This page in Markdown → https://md.mova.elamur.ai/free/en/corpora/tales/pg128/35/12/