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Einleitung zu Aeschylos Agamemnon metrisch übersetzt (Introduction to the verse translation of Aeschylus' Agamemnon)

What it is about

In the preface to his German Agamemnon, Humboldt argues that such a poem cannot, strictly, be translated. Apart from words for bodily objects, no word of one language is fully equal to a word of another. Languages are like sets of synonyms: each expresses a concept with its own side meaning, a step higher or lower on the scale of feeling. He proposes a comparative synonymy of Greek, Latin and German. He then notes a paradox: the harder a translation strives for fidelity, the more it diverges, because it imitates fine particulars and can only set a different particular against each one. Still, translation is needed, both to bring foreign forms to a nation and to widen the target language itself, as Voss's hexameters widened German. Fidelity should aim at the true character of the original, not its accidents. The reader should feel "the foreign" (das Fremde), never "foreignness" (die Fremdheit). The latter shows a translator not equal to the original. A translation is not a commentary: where the original only hints, skips linking ideas or uses hard metaphors, the translator must not add a clarity of his own.

Ideas

For Mova

Humboldt gives the reason the meta-world cannot be a plain one-to-one lexicon, and the rule for when to keep the foreign. I1 and I2 bear on meta.rs (open problems 2 and 5). I4 gives measure.rs a split between the content kept and the strangeness added. I5 is a per-author count from what the encoder already logs.

Topics: Machine translation

Cite

The paper itself, not this card. BibTeX from the library's record of the work.

@book{humboldt1816einleitung,
  title = {{Einleitung zu Aeschylos Agamemnon metrisch übersetzt (Introduction to the verse translation of Aeschylus' Agamemnon)}},
  author = {Humboldt, Wilhelm von and Leitzmann, Albert},
  year = {1816},
  url = {https://archive.org/details/gesammelteschrif08humbuoft}
}

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