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Translation and Translations: Theory and Practice

What it is about

A classical scholar's handbook of translation, in three chapters of principles, practice and verse, with his own renderings as specimens. Postgate makes fidelity the first merit of a translation proper. He splits translation by aim: retrospective (receptive) translation looks back to the author, and prospective translation looks forward to the reader. For the first, he says, the judge is the expert who knows both languages, never the general reader, for whom a translation is simply an original. Under "Degrees of correspondence" he borrows Schopenhauer's circles. Words of two languages may coincide (technical terms such as triangle and Dreieck), not correspond at all (augur, premier), overlap in part, or correspond only in appearance. The last are illusory correspondences such as lurid and luridus: same letters, same origin, almost no shared meaning. Later sections argue that translations age faster than originals, because translators import their own age. They say archaism is right only where the original was archaic or primitive for its own readers. Butcher and Lang's view that Biblical English suits epic Greek is cited with approval, but Demosthenes must be put into contemporary speech. A "principle of compensation" allows an effect that cannot be kept in one place to be rendered in another.

Ideas

For Mova

I1 and I2 give the lexicon in meta.rs its most concrete test set: false friends across centuries of English. I3 and I4 are reports over the deltas in profile.rs. I5 is a second view for measure.rs.

Topics: Machine translation

Cite

The paper itself, not this card. BibTeX from the library's record of the work.

@book{postgate1922translation,
  title = {{Translation and Translations: Theory and Practice}},
  author = {Postgate, J. P.},
  year = {1922},
  url = {https://archive.org/details/translationtrans00postiala}
}

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