🧚 Early Bardic Literature, Ireland., part 2

At present, indeed, the apathy on this subject is, I believe, without parallel in the world.1 It would seem as if the Irish, extreme in all things, at one time thought of nothing but their history, and, at another, thought of everything but it.2 Unlike those who write on other subjects, the author of a work on Irish history has to labour simultaneously at a two-fold task--he has to create the interest to which he intends to address himself.3

The pre-Christian period of Irish history presents difficulties from which the corresponding period in the histories of other countries is free.4 The surrounding nations escape the difficulty by having nothing to record.5 The Irish historian is immersed in perplexity on account of the mass of material ready to his hand.6 The English have lost utterly all record of those centuries before which the Irish historian stands with dismay and hesitation, not through deficiency of materials, but through their excess.7 Had nought but the chronicles been preserved the task would have been simple.8 We would then have had merely to determine approximately the date of the introduction of letters, and allowing a margin on account of the bardic system and the commission of family and national history to the keeping of rhymed and alliterated verse, fix upon some reasonable point, and set down in order, the old successions of kings and the battles and other remarkable events.9 But in Irish history there remains, demanding treatment, that other immense mass of literature of an imaginative nature, illuminating with anecdote and tale the events and personages mentioned simply and without comment by the chronicler.10 It is this poetic literature which constitutes the stumbling-block, as it constitutes also the glory, of early Irish history, for it cannot be rejected and it cannot be retained.11 It cannot be rejected, because it contains historical matter which is consonant with and illuminates the dry lists of the chronologist, and it cannot be retained, for popular poetry is not history; and the task of distinguishing In such literature the fact from the fiction--where there is certainly fact and certainly fiction--is one of the most difficult to which the intellect can apply itself.12 That this difficulty has not been hitherto surmounted by Irish writers is no just reproach.13 For the last century, intellects of the highest attainments, trained and educated to the last degree, have been vainly endeavouring to solve a similar question in the far less copious and less varied heroic literature of Greece.14 Yet the labours of Wolfe, Grote, Mahaffy, Geddes, and Gladstone, have not been sufficient to set at rest the small question, whether it was one man or two or many who composed the Iliad and Odyssey, while the reality of the achievements of Achilles and even his existence might be denied or asserted by a scholar without general reproach.15 When this is the case with regard to the great heroes of the Iliad, I fancy it will be some time before the same problem will have been solved for the minor characters, and as it affects Thersites, or that eminent artist who dwelt at home in Hyla, being by far the most excellent of leather cutters.16 When, therefore, Greek still meets Greek in an interminable and apparently bloodless contest over the disputed body of the Iliad, and still no end appears, surely it would be madness for any one to sit down and gaily distinguish true from false in the immense and complex mass of the Irish bardic literature, having in his ears this century-lasting struggle over a single Greek poem and a single small phase of the pre-historic life of Hellas.17

In the Irish heroic literature, the presence or absence of the marvellous supplies _no test whatsoever_ as to the general truth or falsehood of the tale in which they appear.18 The marvellous is supplied with greater abundance in the account of the battle of Clontarf, and the wars of the O'Briens with the Normans, than in the tale in which is described the foundation of Emain Macha by Kimbay.19 Exact-thinking, scientific France has not hesitated to paint the battles of Louis XIV. with similar hues; and England, though by no means fertile in angelic interpositions, delights to adorn the barren tracts of her more popular histories with apocryphal anecdotes.20

How then should this heroic literature of Ireland be treated in connection with the history of the country?21 The true method would certainly be to print it exactly as it is without excision or condensation.22 Immense it is, and immense it must remain.23 No men living, and no men to live, will ever so exhaust the meaning of any single tale as to render its publication unnecessary for the study of others.24 The order adopted should be that which the bards themselves deter mined, any other would be premature, and I think no other will ever take its place.25 At the commencement should stand the passage from the Book of Invasions, describing the occupation of the isle by Queen Keasair and her companions, and along with it every discoverable tale or poem dealing with this event and those characters.26 After that, all that remains of the cycle of which Partholan was the protagonist.27 Thirdly, all that relates to Nemeth and his sons, their wars with curt Kical the bow-legged, and all that relates to the Fomoroh of the Nemedian epoch, then first moving dimly in the forefront of our history.28 After that, the great Fir-bolgic cycle, a cycle janus-faced, looking on one side to the mythological period and the wars of the gods, and on the other, to the heroic, and more particularly to the Ultonian cycle.29 In the next place, the immense mass of bardic literature which treats of the Irish gods who, having conquered the Fir-bolgs, like the Greek gods of the age of gold dwelt visibly in the island until the coming of the Clan Milith, out of Spain.30 In the sixth, the Milesian invasion, and every accessible statement concerning the sons and kindred of Milesius.31 In the seventh, the disconnected tales dealing with those local heroes whose history is not connected with the great cycles, but who in the _fasti_ fill the spaces between the divine period and the heroic.32 In the eighth, the heroic cycles, the Ultonian, the Temairian, and the Fenian, and after these the historic tales that, without forming cycles, accompany the course of history down to the extinction of Irish independence, and the transference to aliens of all the great sources of authority in the island.33

This great work when completed will be of that kind of which no other European nation can supply an example.34 Every public library in the world will find it necessary to procure a copy.35 The chronicles will then cease to be so closely and exclusively studied.36 Every history of ancient Ireland will consist of more or less intelligent comments upon and theories formed in connection with this great series--theories which, in general, will only be formed in order to be destroyed.37 What the present age demands upon the subject of antique Irish history--an exact and scientific treatment of the facts supplied by our native authorities--will be demanded for ever.38 It will never be supplied.39 The history of Ireland will be contained in this huge publication.40 In it the poet will find endless themes of song, the philosopher strange workings of the human mind, the archeologist a mass of information, marvellous in amount and quality, with regard to primitive ideas and habits of life, and the rationalist materials for framing a scientific history of Ireland, which will be acceptable in proportion to the readableness of his style, and the mode in which his views may harmonize with the prevailing humour and complexion of his contemporaries.41